Monday, August 7, 2017

Don’t be limited by using only what you already know.

I am sure most of you have heard the advice: Write what you know.

That’s the cliche. The most misleading advice any writer can get. It builds walls in the writer's mind, imposing artificial limitations that come from uncertainty. 

But I've come up with a variation which I think improves on that: write more than what you know. In other words, don’t be limited by using only what you already know.
Learn more and use it in your fiction.

My Veronica Slate mystery novels were all about a radio talk show host, something l know a lot about because I was employed in radio for 30 years. I was a talk show host before that became a questionable pursuit.

Veronica got involved in things like a child pornography video ring, cocaine smuggling, and a theme park called Circusland, three things I knew very little about.

Consequently, I learned what I didn't know in order to pair it with what I did know to create six entertaining books. If I had limited my books to only what I already knew, they could have been deadly dull.

Granted, there are some autobiographical elements in my books, but no single Veronica Slate book is limited to my life story. I've taken pieces of my life and distributed them to many of the characters in my books.

It’s better to use what has happened to you as back stories for various characters, not just the protagonist.
Don’t waste your whole life on just one character.

As novelists, we can do something about the world and its problems:
We can create a story that begins with the thing that angers us and we can make it turn out the way we want it to turn out.

Fiction is a wonderful way to share your ideas with the public. Don’t preach. Simply create a fictional world the way you want it to be.

That’s the magic of fiction: You have the opportunity to change the way things happened in your life. You can take pieces of your real life, bend and shape them, and use them for fiction. You can get that job you didn't get, right perceived wrongs, or kill that nasty boss without getting hurt or arrested.

(No kidding. The first character to die in Extreme Close-Up was named after a radio program director who used to give me a really hard time.)

When my first book came out, I got nearly 1,000 fan letters from all over the country and many of them said things like “I love the fact that Veronica and her father have such a loving relationship.” Well, that was really fiction, folks because my daddy skipped out six months before I was born. (I was illegitimate before that became merely a trendy lifestyle choice.)
I created the father I wished I'd had and gave him to Veronica. Fiction gives us the chance to change the World.

----- (From the NOVEL SECRETS blog:

Lary Crews