Showing posts with label Amazon. Show all posts
Showing posts with label Amazon. Show all posts

Sunday, November 5, 2017

Sia by Josh Grayson

Sia by Josh Grayson 


This YA novel was Josh Grayson’s debut, and it is with pleasure I can say it delivered on all fronts: it’s well written, compelling, well conceived and structured, and…joy of all joys, immaculately edited. Well done, Josh.



Seventeen-year-old Sia wakes up on a park bench with absolutely no idea how she got there, but worse still, with no idea who she is. After a week ‘on the streets’, she finds herself back in the bosom of her family, diagnosed with ‘fugue amnesia’. Whilst she waits for her memory to return, she discovers her family is extraordinarily wealthy and she was part of a group of girls who tormented those less well endowed with money or looks. She also had the best-looking boy in the school as a boyfriend. Her amnesia makes her a different person. A rather amiable, considerate, compassionate one: the complete antithesis of her ‘former’ self. She finds she likes this person, but fears once her memory returns she will be the arrogant, unfeeling, shallow Sia.

This is a voyage of self-discovery and along the way Sia finds that wealth and looks aren’t everything. 

The plot was simple and uncomplicated, but the message was meaningful: sometimes you are forced to look at your life and priorities, and adjustments are often for the better. I cared for Sia from the start: her fate was by no means predictable. The person she used to be was not a likeable one, but she was almost a victim of circumstance, pathetic even. The post-amnesia person is who you root for, and Grayson keeps the story sharp and focussed till the end. An extremely promising debut novel.


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Ask your characters

In the course of reading a popular novel recently, I stumbled on an exciting new method of fleshing out characters AND improving your plot.  Character interviews.
Not the old "How old are you?" interviews we've used to develop characters. These interviews with characters are about the story.
Years ago, I remember reading Joyce Maynard's TO DIE FOR (Signet PB $5.99) because the book is told in a series of first-person chapters from the viewpoint of about a dozen different characters.


Turns out the book is wonderful. I realized, as I heard each character tell his or her perspective on what happened, that this could be a terrific way to explore not only our characters but improve our plots as well.

Here's how it works, using my protagonist Veronica Slate as an example.
Pretend Veronica is being interviewed.

"What happened?  Well, I don't think anyone is entirely sure yet but here's what I recall. I was at a garden party at the Wingfield Park outdoor stage to make money for a charity. Normally, I wouldn't dream of showing up at a thing like that; all those damned millionaires. But, my friend Michelle Monroe, who's married to the casino owner, Matthew Monroe, talked me into coming.  So, anyhow, I'm just walking around, meeting people, sipping on a drink, when a sniper on the roof of a building across the Truckee River from us shoots Monroe's public relations man.  Most everyone is convinced it was an attempt on Monroe's life, but I'm not so sure."

Then, for another perspective, here's another major character (Randy Holloway) talking about the same thing:
"It was one of the scariest things that ever happened to me, man. I should have known when I got an invitation to come as a guest to this deal in RiverWalk, that it was a setup. But I was curious. That's my business. I used to be a newspaper reporter; now I write books. So, you wanna know the truth, I think the sniper was hired to kill me. I mean, look at the facts: the guy who did buy it looks enough like me to be my brother. If I hadn't gone back to the shrimp tray again, I would have been up there closer to Monroe and his wife because that's where my reserved seat was. Geez, now I'm really scared. Because now I know they want me dead."

Try it. Simply write from the perspective of several of your major characters talking about what HAPPENS somewhere in your book; the same events from the perspective of different characters.Don't have the character talk about himself or herself unless it helps them relate what happened.
Have them talk about the plot. Talk about what happened. Don't just use material taken from your book and don't use it in your book.

Write this off the top of your head, or - more to the point - off the top of theirheads. Try to get into each character's brain and respond the way they would if someone stuck a mike in their face and asked, "What happened?"

If you try this with each of your major characters you might be really surprised what you discover about them and the plot.

From NOVEL SECRETS (paperback or Kindle)
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Three types of characters: major, supporting and invisible characters

Major characters show up often in the story. Readers will care about them. Readers expect to find out what happens to them by the end of the book. Obviously, among your major characters, the first and most important one is your protagonist. No matter how many major characters you have, there should be only one protagonist.

Supporting characters.
Supporting characters may make a difference in the plot, but readers aren’t emotionally involved with them. They may cause a twist in the story, but they will not play a major role in shaping the story.
A supporting player does one or two things in the book and disappears. You may name supporting players and perhaps divulge a little bit of background, but they are not as important as major characters are.
Examples of a supporting character would be a man who discovers the body in a mystery, the crazy ex-girlfriend in a romance, or the guard of the Seat of Death in a science fiction book.
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